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January 30, 2006

Power and freedom

Filed under: Politics and society,Theology (other) — Camassia @ 6:49 pm

Conversations like this (and a zillion ones like it on Connexions) I generally stay out of. The arguments over whose sins are worse than whose don’t interest me very much. I’m with Paul: we’re all sinners, capisce? However, what bothers me a bit in these “war on terror causes terrorism” claims is the lopsided approach to free will and determinism. The U.S. is the cause of its own misdeeds, but it’s also the cause of the terrorists’ misdeeds, because the actions of terrorists are, apparently, determined by U.S. actions.

Now, I think that free will is overrated, so I don’t pretend that terrorist actions came out of nowhere. But why should U.S. actions be treated as inherently different? In fact, the U.S. war on terror also had a cause, that little experiment in amateur skyscraper demolition that occurred four years ago. You can argue that the U.S. didn’t do a very good response to the cause, but then I don’t think slaughtering civilians and taking hostages is a very good response either, so on that point it’s a wash. The 9/11 attacks also had causes, of course; but that is my point. There is no such thing as a “root cause,” really, in the sense of going back to a beginning point where something happened without provocation. Every important thing that’s happened in history has, on some level, been a reaction to something else.

But I think a more basic assumption underlying this, and that is common in Western culture generally, is that power = freedom. If you have money, position, and influence, the thinking goes, you have more choices and alternatives than if you’re poor and downtrodden. Therefore you are more responsible for your own actions, and circumstances and outside influences don’t matter as much.

It seems commonsensical. After all, as a middle-class American I have more choices about things like what I do for a living, where I live, what I drive, and so on than, say, an African peasant. But as to whether I have more freedom in moral choices … well … I don’t know. And one important thing to consider, in the whole power = freedom assumption, is how this interacts with the old, old Christian habit of equating sin with slavery. “We confess we are in bondage to sin and cannot free ourselves,” the Lutherans say every Sunday (well, at least in churches where they still do the Confession of Sin). Way back in the New Testament, the first Christians are told repeatedly that Christ has freed them from sin.

Despite all this, there’s definitely a strain in modern thinking that connects sin with freedom. If anything, sinners seem freer than the righteous because they don’t bother obeying the rules, but do their own thing. And if it’s suspect in Christianity to gain power and wealth, but gaining those things brings you more freedom, well, what’s so freeing about Christ?

I’ve never studied this question in depth, but I wouldn’t be surprised if it goes back to the old habit of tracing all sin to idolatry. If money and power are what you want more than anything, they become your idols, and eventually they enslave you. And certainly if you’re going to build an empire, or a giant business, or some combination of the above, it takes more than a passing devotion to the idea. The hardship and sacrifice of our forbears that we all learned about in U.S. history are pretty much standard for any country that becomes a major player in the world.

Another potentially imprisoning feature of success — and one more relevant to those of us who are riding on the back of past achievement — is fear. The more you have, the more you have to lose, and the more other people will be happy to take it from you. I’ve covered business for six years, and I can tell you that even the hugest companies in the world live in perpetual low-grade anxiety: you always have to beat last year’s numbers, fight off the latest competitor, top your previous achievements. Intel founder Andrew Grove summed it up aptly with his book, Only the Paranoid Survive.

The same goes for political leaders. Elected politicians are infamous for bending to lobbyists and public opinion polls, but of course they do it for fear of what will happen to them if they don’t. Unelected leaders suffer from their own version of this. According to an Atlantic article a while ago, Saddam Hussein spent his last years in a secretive, armored existence, sleeping in different places each night, surrounded constantly by guards, and never sure of whom he could trust.

Common Americans have our own threats that come from success. I remember back when I was in college I heard a radio report from Haiti, talking to peasants who were supporting an economic boycott of the country over a military coup. The reporter reminded them that they stood to suffer themselves if no business came to the country. One of the peasants pointed out some leaves on nearby plants that they knew were edible. “You see, we’re used to doing without,” he said. “We know we can survive.”

Compare that to how Americans react when the economy dips or the price of gas goes up, and you’ll see what I mean. Likewise, our attachment to our political system also evokes certain fears; most of us were brought up with the attitude that our freedoms can never be taken for granted, and must be vigilantly protected. Paradoxically, this fear tends to limit the choices we make.

Don’t mistake me, I’m not saying these things are bad. I wouldn’t want to change places with a Haitian peasant. I’m just saying that having and wanting these things pushes all our choices in a certain direction, just as an Iraqi’s not wanting to have the U.S. in his country will push his choices in a certain direction.

Beneath this, and somewhat harder to quantify, is how one’s cosmic view limits the choices that one makes. A few weeks ago when my mother was here, we went to see the movie Match Point, which showed a good example of this. In his review of that movie David Denby said that some viewers he knew didn’t believe that its main character would resort to murder: “After all, they say, this is modern life, and these things can be worked out.” But the way the character was written showed how his nihilistic worldview made murder inevitable. He believed that the universe is random and meaningless; therefore, his only hope of salvation was in material success. He also believed that luck trumps everything else, and that what he had came through luck instead of merit, so if he lost the set of relationships that brought him success, he could never do it again. The movie itself casts doubt on how much of this is true, but the point is that he saw it that way, and so he simply could not see any other options.

Now, one could debate how much free will he actually had in all this; but the point is, I don’t see how wealth gives one greater freedom to choose a worldview than poverty does. In fact, if your worldview is rewarded with material success, you will likely be driven farther into it, rather than loosened to explore other options.

The Gospel, then, is not just a prescription for social justice, but a declaration of reality. It is a denial of the sort of illusions that lead to murder, and to all other sins. And I think that in that way, its attitude toward the powerful differs from the typical modern leftist one, and that’s why it bugs me to see leftist Christians get them tangled up. The leftist attitude says, “You have all the good things, and what’s wrong with you is that you misuse them and you don’t share.” The Christian attitude is, “You don’t even see what the good things are.”

Now, I’m not about to deny that the Gospel demands sharing. But it also emphasizes the Kingdom as a pearl of great price, a treasure greater than all earthly treasures, etc. I think that aspect turns the attitude toward the powerful from one of envy to one of warning. Their power is nothing compared to God’s power. They are devoting themselves to illusory things that are not of God, and therefore they will fall with them. The beatitudes are not a prescription for how society ought to be; they are an announcement of what is coming.

I think the danger in envy is that, even in criticism, it colludes in the illusions of the powerful that they have obtained the best in life. The Gospel, however, says otherwise. They think they have power and freedom, but in reality they are pitiful slaves. And unless they see it like that, I doubt they will be interested in giving any of it up.

And by the way, though I use “they” here, that applies to me too. No one in the world is either 100% powerful or 100% powerless; and so, to misquote Gandhi, the divide between the two runs through every human heart.

January 26, 2006

Now it’s getting all charismatic

Filed under: Arts and entertainment,Religion and sex — Camassia @ 10:50 am

Following on to the last post, Lee Anne points to an article on End of the Spear that says Steven Saint supported Chad Allen for a sound biblical reason:

Mr. Saint said he had an early morning dream that convinced him it was God’s will for Mr. Allen to be in the movie.

“In this dream, I saw a mob of Christians chasing me. They had these signs, ‘Why did you do this to our story?’ And I turned around to them and I was trying to yell, ‘I didn’t want to do this, I’ll ask him to step down,’ and – boom! – I was standing in front of God. He said, ‘You, of all people, should know that I love all my children. I went to great lengths to orchestrate an opportunity for Chad Allen to see what it was like to be a true God follower. Why did you mess up my plan?’”

Well heck, it’s about as much foundation as there was for letting gentiles into the church, so who am I to argue?

January 25, 2006

Star quality

Filed under: Arts and entertainment,Religion and sex — Camassia @ 7:18 pm

I seem to be on a movie-blogging tear these days, but right now I’m thinking about a movie that I have not (yet) seen: End of the Spear. Apparently the film, which depicts a real incident involving missionaries in Ecuador, was marketed to churches. But some are now incensed to learn that its male lead is a gay activist. The Internet Monk wrote about it here; this post includes a good round-up of links.

This all provokes a number of thoughts. One is, this is a more extreme version of the ambivalent feelings that America has about actors generally. It’s a strange profession: essentially, they are legitimate con artists. The actor’s success is measured by how we he can convince us that he is someone that he is not. Everyone knows this, and on one level thinks of them as basically hired guns who speak lines that somebody else wrote. But they also want to believe, and so they are fascinated with actors but keep getting their hearts broken when they don’t turn out to be what they seem.

The conflict appears in the behavior of the filmmakers themselves. The film company’s founder, as quoted, makes a hired-gun argument: he was the best actor available, so who cares what he does in his spare time? But Allen’s own description of being hired implies it was a lot more personal:

Allen went into his first meeting with the film’s producers and director with real trepidation that they and the Saint family-for whom, he stresses, he had great respect would not want a gay man representing their legacy. After he aired his concern, however, the filmmakers produced, of all things, the November 25, 2003, issue of The Advocate with Allen on the cover, in which the actor spoke of his faith and the importance of doing good works for the holidays. They had showed that issue to Steve Saint, the filmmakers told Allen. “And this man Steve Saint said that the same things that I talked about in The Advocate are the same things he fought his whole life for,” Allen beams, “and it would wrong for them not to ask me to do it. That’s an amazing story, right?”

Being an actor is not entirely being a vessel. You figure actors must put something of themselves in their work, and draw on their own emotions and experiences to portray those of other people; that is probably why no actor is equally good at playing all types of characters. And it’s also why the audience places certain limits on the suspension of disbelief, though those limits are not always stable. For instance, we’re OK with watching a married actor make out with someone other than his wife onscreen, but we wouldn’t be OK watching the same scene with a real-life brother and sister.

Al Mohler writes that he doesn’t think he could really put Allen’s gayness out of his mind, because “The distance between Nate Saint and Chad Allen is just too great.” This is odd given that Saint’s own son doesn’t seem to be having that problem, and suggests that evangelicals who were brought up on this story (I’d never heard of it, but apparently it’s standard reading in some quarters) are defending their idealized image of Nate Saint more than the actual person.

But in any case, really good actors can overcome remarkable obstacles. I remember that shortly after Ian McKellen came out of the closet I saw a tape of his old ’70s RSC production of MacBeth, which had a lot of heavy sexual chemistry (and some serious snogging) going on between MacBeth and his wife. Despite the fact that this would seem to present a much more direct credibility problem, I completely bought into him and Judi Dench as a passionate couple. They were that good.

The irony is that the better actors are, the more their characters outshine their real selves. I mean, when you think of Humphrey Bogart, do you think of his three divorces or of him sending Ingrid Bergman back to her husband? Therefore anyone who feared (or hoped) that End of the Spear will put Allen in a position to preach homosexual tolerance is probably mistaking what makes actors interesting to people. After all, as anyone who’s eyed magazines in a grocery checkout line lately knows, movie stars are not the people you look to for moral guidance.

Another thing that reading this debate reminded me of was my own post about dogma as behavior. Back then I had written about it as a phenomenon mostly of the Christian left, but this discussion shows that it’s hardly lacking on the right either. Somewhere in this thread, a commenter asked if he would have the same problems if the actor were a Roman Catholic or an Open Theist. The answer: “Now your equating homosexuality with doctrinal beliefs. There can only be one response to this ordeal: outrage.”

Um, hello? Didn’t people used to kill each other over doctrinal beliefs? And why is sexual theology not a matter of doctrine? Yet this does not seem to be a unique view, given that all the angst seems to be about Allen’s homosexuality and not his quirky homemade syncretic religious beliefs (described in the Mohler piece). Apparently even among conservative Christians civilized people can disagree about doctrine, but certain behavioral ethics are beyond argument.

This only increases my feeling that behavioral dogma is really no kinder or gentler than the propositional kind, and that it keeps people focused on themselves rather than on God. God appears in this whole discussion as a rule book, not as savior, healer, bridegroom or anything remotely personal. Perhaps if people looked more towards him, a mere actor would not seem so all-powerful and threatening.

January 21, 2006

Random thoughts on the latest Harry Potter movie

Filed under: Arts and entertainment — Camassia @ 10:26 am

– I find myself warming up to movie-Harry more than to book-Harry. This is probably because, looking at the very young actor (who has that peculiarly delicate quality some English boys have), I’m a lot more aware of how terribly vulnerable he is as a pawn in a chess match between powerful grownups. When characters protest, “But he’s only a boy!” it has a certain bite.

– On the other hand, this fact only highlights the narrative problem that the Triwizard Tournament makes the Roman Coliseum look like civilized entertainment. What kind of insane educational institution sends teenagers to dodge fire-breathing dragons, or puts innocent little girls at the bottom of lakes to see if their friends can rescue them? To some extent, this was ameliorated in the early books by J.K. Rowling’s light, slightly absurdist tone, which made threats of injury and death seem more cartoonish than real. In the later books death becomes a lot more serious and consequential however, starting with the death at the end of this story, and so the tonal clash is painfully apparent. (I think one problem here is that violent sport, which the books seem to basically worship, feeds off a tacit Voldemort-like “weed out the weak” attitude that nobody quite wants to acknowledge.)

– I love me some Alan Rickman. This is both a feature and a bug, since movie-Snape is more appealing than he ought to be (and I say this as one who is generally rooting for book-Snape). However, since Snape will go on to become a central character in the plot, having him played by an actor who can really hold the screen is probably not a bad thing.

– Is it just my warped mind, or is there a weird sort of orgasm going on when Voldemort touches Harry’s scar?

– Voldemort’s expectation of absolute, self-sacrificing loyalty from his followers is, er, interesting given that the whole Death Eater movement seems to be all about unethical ambition. (Somewhere back there, didn’t Voldemort say something like “There is no good and no evil, there is only power”?) Or to put it another way, he’s pulled a band of Slytherins together and expects them to act like Hufflepuffs. I suppose there’s some comment here about the self-destructive nature of evil, somewhere…

– The overall plot reminded me a lot of this post (via Rilina). Was there really no simpler way of getting Harry to lay hands on a Portkey? Like maybe sending it to him as the latest high-end broomstick anonymously via owl? (It’s not like it hasn’t happened before.)

– Flying in IMAX. There ain’t nothing like it.

January 17, 2006

Dying for sins: Narnia edition

Filed under: Arts and entertainment,Christology — Camassia @ 7:23 pm

I saw the Narnia movie over the weekend, and enjoyed it. Unlike most of the bloggers it seems, I’m not a particular fan of the books: in fact I’ve only ever read the first one, and that was many years ago. So I remembered the general outline of the story, but I watched the movie as a more or less freestanding piece of art.

I’ve heard conflicting reports about how much Lewis intended the story as a Christian metaphor, but the sacrifice of Aslan is about as subtle as a piano dropped on your head. Which was not all bad, because the metaphysics of the Atonement is one of my pet interests. But the more I think about this particular rendition of it, the more it disturbs me.

The first thing that struck me as “off” was the fact that Edmund is rescued and reconciled with his family before Aslan dies for him. This is quite different from the Gospel account, where Jesus is totally betrayed and abandoned at the hour of his execution. Instead of “he died for us while we were yet sinners,” it’s “he died for us while we were sinners, but kind of showing signs of improvement.”

Another problem with this is that it makes the White Witch’s demand for Edmund come out of left field. As somebody points out to her, it’s not like Edmund betrayed her, so what business does she have carrying out vengeance? To which she replies, it is written in the Deep Magic that all traitors belong to me, it is my right, or all of Narnia will burn up. If she were about to kill Edmund at a point in the story where he was still being a spineless creep, it would at least appeal to some natural sense of justice instead of a bizarre arbitrary rule.

The legalism may stem from the model that Lewis is using. Although to a great extent this resembles the Calvinist penal-substitution model of the Atonement, my boyfriend noticed that it also resembles the old “ransom” theory, which was popular in the early Middle Ages. There are a few different versions of this, but the one I’m thinking of has it that God pretends to ransom a captive humanity by offering up his son — only to have the son rise from the dead, and thereby deprive Satan of everything.

Even at the time it was current, this idea drew some complaints that the God of Truth would hardly use trickery and deceit, and generally that he was supposed to have saved us by self-sacrificial love, not by cleverness. The same problems apply to the movie version. When Aslan rises again, he basically says, aha, but there’s a loophole in the law she didn’t know about! From that angle, the Witch and Aslan are less like icons of good and evil than like two lawyers trying to outfox each other.

Yet I think that the basic idea could have been conveyed to a modern audience, if the movie had been willing to implicate the audience more. It is, in fact, very easy for movies to provoke our instincts for retributive justice; in fact a whole genre, the “revenge movie,” exists because of it. And certainly there are points in the movie where any viewer who is at all involved in the story is going to feel like killing Edmund himself. But that has already gone by when the Witch shows up to demand him, making it easy to distance oneself from the howling mob of monsters standing around the altar baying for blood.

But the Gospels don’t let us off quite so easily. Jesus’ followers don’t stand together when the soldiers come; they divide and scatter. They don’t respond to his death by girding their loins and going into battle against evil; they give up and go home. Though the story is more willing to show his heroes’ flaws than many children’s tales of his era, it still retells the Crucifixion with a rather cleaned-up human supporting cast. Which makes it a good yarn, but still comparatively short on grace.

January 16, 2006

In the mail this weekend

Filed under: Humor — Camassia @ 8:49 pm

Got a postcard from a Lutheran church about half a mile from my apartment that belongs to the Wisconsin Synod, a group that apparently thinks the Missouri Synod is too darned liberal. It said:

Celebrate The True Meaning At Gethsemane Lutheran Church!
Come Join Us!
Traditional Christmas Eve Candlelight Service
Saturday, December 24 – 7:00 PM
Christmas Day Worship
Sunday, December 25, 10:30 AM

Wow. I suppose some people would accuse the church of living in the past, but I didn’t think it would be so … literal.

January 10, 2006

Appalachian winter

Filed under: Theology (other) — Camassia @ 3:00 pm

The Internet Monk has written a really interesting series called The Gospel for Appalachia, here, here and here. It raises a couple of questions that have been in the back of my mind for a while, which I am writing here rather than on his site partly because when I tried to register there I got back a blank email instead of a password, and I never got around to asking about it. But anyway.

One question it raises is how much the biblical commandments to help the poor command a long-term solution to poverty. The iMonk points to various factors in Appalachian culture that hold it at its low economic level, and wonders how much the Gospel can change the culture. And in fact, that seems to be a pretty common experience among helpers in the field, that some cultures collectively don’t seem to want to get richer.

There seem to be two common responses to this: a) take Jesus’ word for it that “the poor will always be with us”, and figure that feeding the hungry and clothing the naked is good enough, or b) try to change the culture. Both the iMonk, and a lot of members of my church who work with the poor, are trying to do b) in different ways. But what does rising out of poverty really require? The iMonk at some points seems to be equating Christian work with certain aspirations like owning a house and bringing factories into the region, or generally being upwardly mobile even if your family thinks you’re getting “uppity.” But this does seem to invite the danger of replacing a culture of poverty with a culture of ambition, which is not any more biblical. Eric Schwarz argued on this post that wealth creation is good because you have to make money to be able to give it to people; but it’s a real question in my mind how often this common rationale for obtaining money and power (I will use it for good!) survives the values one has to adopt in order to get them. (In fact, I think Anakin Skywalker used the same reasoning in Revenge of the Sith, but that’s probably a silly example…)

I think part of the problem here is that above a certain subsistence level, poverty is relative. Middle-class Americans consider their own condition to be normal, so they feel obliged to “normalize” the rest of the world. One commenter mentions how his Appalachian forebears didn’t know they were poor until the government told them so, which implies that what people gain materially they might lose in self-worth. Still, I am aware that accepting poverty as the way things are has historically been used in Christendom to justify extreme disparities of wealth. (And to be the perpetual recipient of charity doesn’t seem that good for people’s mental health either, as these essays point out.)

The other thing I’ve been wondering for a long time is how the Gospel can overcome certain pernicious aspects of an honor/shame culture. Michael mentions this as an important part of the Appalachians’ cultural dysfunction: boys and men get into fights over every insult, don’t deal well with working under authorities, and flee colleges where they’re looked down on by other students. (I assume women are also affected by this, though perhaps in ways less visible to a male pastor.) It’s easy for coastal liberals to dismiss how important this is to other cultures; but we also have to face how our relative lack of an honor/shame attitude comes from culture and circumstance rather than moral superiority. We routinely submit to large corporate and governmental structures. We leave it to law enforcement to avenge us. We can escape damaged reputations by moving away and making new friends. We act as individuals rather than as representatives of families. We train children not to defend their honor by giving them facile answers when someone attacks them. The fact that the honor/shame values still persist so strongly in the the schoolyard, as well as in movies, bars and other pockets of uncivilization, shows how imperfectly these factors work.

It seems that it’s at least possible to live in clan-based rural societies without habitual honor-based violence — Mennonites and Quakers historically managed to do it. (Michael also mentions that the community he lives in was founded by a reformed feudist.) But they also both had (and some still have) a habit of chucking people out when they couldn’t get along with others, and also present problems as models if you want to haul people out of rural poverty. There’s no denying it’s a tough row to hoe. In a post on homosexuality a while back Eve Tushnet pointed out, “There are and have been countless cultures in which men felt that their identities as males required cruelty, to take an easy example. St. Augustine has especially acute comments on that dynamic, and on how deeply it can be embedded even in the nature of a believing Christian man.” (To see how little headway this made against the European honor culture, try reading the allegedly Christian Morte d’Arthur.) I don’t know how well this corresponds to how gay people feel about being gay, but it seems to run very deep in many people (including women, although honor in that case is more tied to family pride and sexual purity).

I think some people have tried to address this question, since missionaries keep running into it. My boyfriend told me about somebody who worked in Asia (I forget the name) who wrote a book about preaching the Gospel in an honor/shame culture, and was told by the natives that it was a good book for Westerners but not for them. But where does that leave us, trying to speak across an unbridgeable divide?

January 6, 2006

She’s back!

Filed under: Miscellaneous — Camassia @ 1:50 pm

The blogger formerly known as Andi Young, who ditched her raft back in May to become a Buddhist nun, has come back with a new name (Soen Joon) and a new blog, One Robe, One Bowl. In her inaugural post last month she explains how her approach to blogging has changed:

For much of my life, I’ve written to pull together the strands of an unraveled identity. The desires for self-coherence and self-expression drive nearly all my creative endeavors since childhood. I’ve written and then waited impatiently for the echo of a real self to bounce back to me from the apparently solid landscape I wrote into being–and occasionally, such an echo would rise, only to return to me an unexpected sound, an aural shape that rather than confirming I existed as I believed, denied the very self I desired to shape and find through writing. …

Writing is still a part of my life and a part of my movement through the world. But where I once wanted to impose noise and “self” on stillness, now I’d like to try and find stillness in the noise. Rather than writing to bolster the idea of Me, I want to try writing to unravel the illusions that bind us.

I think I’ve done a lot of my own writing to try to “make myself” also. I wonder if I could do it any other way. But I’m looking forward to following Soen Joon’s efforts.

January 4, 2006

Stories for new children

Filed under: Books — Camassia @ 10:35 am

When I was staying at my sister’s house, in the spirit of Christmastime regression I re-read The Wonderful Wizard of Oz for the first time in many years. It was interesting for a number of reasons. I had not previously paid attention to the introduction, where Baum explains his philosophy behind the story:

… the time has come for a series of newer “wonder tales” in which the stereotyped genie, dwarf and fairy are eliminated, together with all the horrible and blood-curdling incidents devised by their authors to point a fearsome moral to each tale. Modern education includes morality; therefore the modern child seeks only entertainment in its wonder tales and gladly dispenses with all disagreeable incident.

Having this thought in mind, the story of “The Wonderful Wizard of Oz” was written solely to please children of today. It aspires to being a modernized fairy tale, in which the wonderment and joy are retained and the heartaches and nightmares are left out.

This is all very 1900, really: we are marching into a new, enlightened age where we no longer have to fear witches and demons! But it’s striking how, when MGM made it into the famous movie, the studio turned it into a more traditional story. In the book, the kiss that the Witch of the North gives to Dorothy at the beginning protects her from anyone harming her — which pretty well takes away the suspense for the reader when she’s captured by the Wicked Witch of the West. In fact, the Wicked Witch is generally a lot scarier in the movie, and takes up more plot time; in the book that whole adventure takes up just one of 24 chapters.

The movie also tacks on a moral — Dorothy learns there’s no place like home — which is not in the book. Inasmuch as there’s a purpose to Dorothy’s adventure in the book, it’s that if she’d realized at the start what her shoes could do, she wouldn’t have rescued her friends from their unhappy situations. I like that “moral” better as it seems more generous-minded than the message that she should have just stayed home and been contented with her lot.

Baum’s introduction is also notable because he assumes that the gruesomeness of many fairy tales is meant to scare children into behaving. Generally I don’t think that’s true, as I have noted before that older fairy tales are often rather amoral and dependent on luck. But I think Baum was referring to a particular phenomenon of the Victorian era, which was when the whole notion that fairy tales were strictly for children came about to begin with.

After I got home and caught up on my New Yorkers, I noticed Caitlin Flanagan had also touched on this subject in a fascinating article about Mary Poppins. She points out that P.L. Travers wrote it “at the end of a groundbreaking epoch of children’s literature that included the works of Lewis Carroll, Kenneth Grahame, J. M. Barrie, and A. A. Milne, each of them annexing vast territories of children’s experience.” All of these works accepted and even celebrated the separate imaginative worlds of children, with adults either absent or uncomprehending. Previously, children were more integrated into adult life, so there wasn’t really a separate experience to write about. The heavy-handed Victorian morality fables may have been an attempt to beat the childishness out of children when the earlier social controls were giving way.

What’s also interesting about this is how those books dealt with the abandoned parents of these children. J.M. Barrie is the most ambivalent about it — in Peter Pan he revels in the adventures in Neverland but also shows us the parents’ grief at the lost children at some length, and emphasizes how selfish the kids are for being so oblivious. I remember that Disney’s animated version of the story cleaned this up by having the whole thing happen in one night, and maybe all be a dream. The movie of The Wizard of Oz made it all a dream even more explicitly, even adding the Freudian touch of casting Oz with characters from Dorothy’s life. This is a bit odd, because unlike the Darlings, Dorothy is always aware of how much her aunt and uncle will miss her. It’s as if the movie can’t tolerate the idea of a child going off on her own for that long and causing that much distress, even if she can’t help it. (Lewis Carroll’s Alice books had them all be dreams also, although I think this goes better with their hallucinatory weirdness.) Flanagan points out that the Mary Poppins movie also painted over the adult-child estrangement by turning it into a morality lesson for the Banks to become more involved parents.

In short, it seems that a profound ambivalence about the nature of childhood fueled much of the great modern children’s literature (if not movies). Now that I look at it, it seems like such a product of its age that I wonder if what we think are immortal classics will really appeal across different places and times. But I think Baum has a point that there is a great charm in simply creating an imaginary world and poking around in it. I’ve been to enough sci-fi conventions to know that the appeal hardly stops with the end of childhood.

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