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September 30, 2009

Revenge: A Story of Hope — part 3

Filed under: Books — Camassia @ 9:14 pm

Laura Blumenfeld’s father is shot at an already inauspicious time in his life. He and his wife are separated; she’s moved in with another man, and the father, it is strongly implied, never quite got over her. When Blumenfeld discusses the event with her father twelve years later, after they have both remarried, he remembers calling his wife to tell her he’d been wounded. “She put me down. She belittled it,” he recalls. “How can you be married for twenty-five years and not care if your husband was shot?”

As she goes searching for the shooter and learning about revenge, Blumenfeld realizes that there is a strong connection between revenge and family ties. “If no one cared, if no one remembered, if no one demanded justice, then the value of life was empty,” she writes after hearing her father’s haunted reminiscence. “If meant the people who were supposed to love you did not.”

The family connection becomes especially apparent when Blumenfeld learns that the terrorists responsible for the shooting spree have been imprisoned, in a high-security facility that only relatives can visit. So instead of visiting the terrorists, she visits their relatives, saying simply that she’s an American reporter researching a book about revenge. They pride themselves on their filial loyalty. It is, in fact, the brother of the group’s mastermind who gives Blumenfeld the line I quote in my first post about this book, to the effect that Westerners’ unwillingness to avenge their families shows how selfish they are.

Despite seeing the dark side of this — apart from the fact that the family supports a terrorist, she also hears about domestic violence from the women — to some extent she envies this solidarity. For a while she entertains an idea of rallying her whole family against his family, trying to get her nerdy brother into the vengeful spirit. “In seeking revenge I could confound the truth that our family had disappeared,” she reflects. “We might have scattered … but as long as we fought for each other, our family lived on. That, in itself, was a tantalizing goal. What was the definition of a family, anyway? In aboriginal Siberia, the word for kindred families is cin-yirin, meaning ‘collection of those who take part in blood revenge.’”

Again, her family reminds me a lot of mine, and I can recognize the feelings in a slightly different form. It actually kind of reminds me of the dinosaurs chasing me around the house, and the realization that the family unit actually meant more to me than my parents’ marriage per se. But her cultural observations make me wonder just how much the disintegration of the vengeance culture is related to the disintegration of family bonds — and if so, which came first. I don’t think I’ve ever heard an advocate of traditional family values wanting to return to the days when family members would avenge each other. Yet that was, not all that long ago, part of Western culture. According to a sixteenth-century English law, Blumenfeld writes, a son who did not avenge his father could not collect his inheritance.

It does seem to me that one reason modern secular society has trouble understanding these things is that it places a relatively low value on loyalty in general. Not only do people leave their spouses with some regularity, but we take it as a matter of course that we will leave our employers, or they will leave us, and that we change out our politicians and vendors and friends and whoever else when they are no longer working for us. It’s nearly impossible to defend the inherent value of loyalty from the standpoint of rational self-interest, and difficult even from a utilitarian standpoint of maximizing happiness. But what is it that makes people happy? Is the smoothness of a relationship always more important than its permanence? Is there a way for people to feel solidarity without always fighting something? And this, too, seems to rely on the assumption of social and physical mobility that I mentioned in the first post, not to mention a high population density. If one relationship ends, it is assumed, we can find another that is more satisfying. Not everyone in all places and times could assume such things. And even people like Blumenfeld and me, I think, find that not everything is replaceable.

September 28, 2009

Revenge: A Story of Hope — part 2

Filed under: Books — Camassia @ 7:59 pm

Laura Blumenfeld’s odyssey of revenge starts right after her marriage to Baruch, a young federal prosecutor. At the time of their marriage he’s working on a big case against boxing promoter Don King, which provides a narrative counterpoint to Blumenfeld’s primeval desire for vengeance. “In ancient Athens,” Blumenfeld writes, “civilization was said to flourish once the Furies, avenging spirits with snakes in their hair and whips in their hands, were subdued, once Athena had institutionalized them under due process of law.”

The American justice system has gone a long way towards depersonalizing retribution. As King points out, the case is called The United States of America vs. Don King, with the actual victim put somewhat on the sidelines. But there are other places in the world that are in between, retaining both strict legalism and elements of personal vengeance. Blumenfeld, ever the intrepid reporter, goes to visit some of them.

Probably the most surreal episode in the book so far is her visit to Albania, a post-Communist country where a weak government encouraged a return of the old vengeance codes. This situation led to the formation — as if by some strange convergence of the Mafia and the Quakers — of the Blood Feud Committee. (This is one place where I feel the reportage is lacking. Who appointed this committee? Do they get paid?) Albanians follow a canon on revenge compiled by a fifteenth-century nobleman, which sounds as long and detailed a folk code as the Ferengi Rules of Acquisition. Precept No. 906 deals with the type of head-grazing shotgun wound Rabbi Blumenfeld suffered, and calls for “three purses” in payment. This leads to a discussion among the committee members as to what that would be after inflation.

Blumenfeld writes that Albanian revenge is driven less by the sort of overwhelming emotion that she feels, than by a sense of duty. You don’t really have the option not to take vengeance, if you value your honor and your family ties at all. She does visit another place, however, where victims have some discretion as to the punishment. Curiously enough, it’s Iran.

Iran’s legal system seems to be somewhere in between the Albanian one and the American one. Islamic law believes in courts and evidence, not vigilantism. But once the sentencing arrives, victims can help determine the punishment and, if the wish, participate in carrying it out. When someone is convicted of murder, he has a chance to plead for mercy from the victim’s family. If they grant it, he pays a fine and goes to prison. If they don’t, he’s executed.

The process apparently goes for lesser offenses also. One ayatollah Blumenfeld talks to describes a case of a woman whose husband threw acid into her face, blinding her. (Oddly enough, I read this just after reading Johann Hari recount a similar incident in Bangladesh. Do Asians just have vats of acid sitting around the house for some reason?) The husband offered to pay damages, but the wife insisted that he should be blinded just like she was. The ayatollah talked her down to taking out just one eye. She performed this office herself: “The woman’s relatives guided her wrists, helping her find her husband’s eye socket. She used a metal spoon to dig.”

As much as people accuse Americans of having a cult of victimhood, it’s difficult to imagine Americans empowering victims in quite this way. Back when I was in college — and I assume, even now — there were feminist legal groups devoted to springing women from jail who’d killed their abusive husbands. But I doubt even they would go for the eyeball-scooping method of justice. It does underscore how detached most Americans are from our own penal system, which doubtless allows many of us to think of ourselves as more civilized than we are. Once offenders are locked away in prison, we can ignore what sort of life our laws and taxes are providing them. The sort of choices that Iranian justice gives you, I suppose, lets you find out just what you are capable of.

But oddly enough, this folds back on my movie violence post, because the movies are one place in American culture where gruesome revenge fantasies roam free. I am reminded of the middle section of Carol Clover’s Men, Women and Chainsaws, comparing the infamous low-budget rape-revenge movie I Spit On Your Grave with the big-budget Hollywood courtroom drama The Accused. I don’t remember it in detail now (and I haven’t seen either film, which doesn’t help) but I remember Clover describing how the former ends with a close-up of the victim’s face, while the latter ends with a high-altitude shot of the courthouse. That, to her, summarizes aptly who the heroes of the two films are. So which one is really more empowering to women?

Not that I’m claiming the Iranian justice system is especially empowering to women. Apart from the ayatollahs, Blumenfeld talks to a woman who successfully got her ex-stepson imprisoned for killing her daughter, but can’t hang him because a male life isn’t considered an even trade for a female one. (It’s not impossible, but she’s have to pay compensation for it.) But it is interesting to look at how other legal systems compromise between personal feelings and the impersonal rule of law. There’s no one way to do it, and none of them is perfect.

September 27, 2009

Revenge: A Story of Hope – Part 1

Filed under: Books — Camassia @ 6:13 pm

This was one of those fortuitous library finds: a book I’d never heard of before, but that seemed to address a subject of great interest to me at the moment. The anniversary of 9/11, along with the various reviews coming out of Christopher Caldwell’s Reflections on the Revolution in Europe, got me to thinking about how one would defend certain Western values to, say, an Islamic fundamentalist. On some subjects, like slavery and democracy, I was educated fairly clearly about how my society arrived at its position on them. But others not so much. Like, why does our criminal justice system work the way it does? Why don’t we punish most criminals corporally like we used to and like Islamic law still demands? Why imprisonment? It’s not that I haven’t heard plenty of personal opinions on the subject; but why do we believe in it?

Revenge: A Story of Hope isn’t exactly about that, but it is a deconstruction, in a sense, of Western attitudes about justice. The father of the author, Washington Post reporter Laura Blumenfeld, is an American rabbi who got shot in the head while visiting Jerusalem in 1986, as one of a series of victims of a local Palestinian gang. Fortunately for him, the terrorist’s aim was bad enough that it just left a furrow in his scalp. Yet his daughter has a burning desire for vengeance, which, in true Western reporter fashion, she turns into a book project that involves going to the Middle East and both studying revenge in general, and personally tracking down her father’s shooter.

The result is a strange hybrid of a book, an examination of some of the most savage emotions in humanity in which one of the savages is the author herself. She comes across almost like her own psychotherapist, describing her anger with a clinical detachment. I’m only about a third of the way through it, so I don’t know where it’s heading, but it’s already provided plenty of food for thought.

Blumenfeld grew up in a family that sounds, in many ways, like my own — liberal, educated, upper middle class, and strongly believing themselves to be civilized. As a result, they don’t really understand her desire for vengeance, not even the father himself. They don’t seem to have forgiven, she notes, so much as forgotten — moved on with their lives. Blumenfeld records a frustrated entry from her diary at the time: “He blots out the memory and continues on his merry way … The opposite of revenge isn’t forgiveness. It’s shopping. It’s being busy with the practical, shallow now.”

While she doesn’t get much sympathy from her family, Blumenfeld’s interviews with various people in other cultures find a similarly contemptuous attitude towards those who will not take vengeance. One Palestinian she meets diagnoses Western culture this way: “Westerners don’t get revenge for their families, only for selfish reasons. They don’t have family ties like us. In America, when someone’s killed the only people who care are the police and the insurance company.”

There’s an annoying germ of truth to that assessment. People like me and Blumenfeld were raised to think that our people don’t do revenge because we’re enlightened, but it’s also true that revenge is awfully inconvenient. Early in the book, Blumenfeld describes two eleven-year-old girls engaged in a long feud, of the sort we all know: they remember various slights and insults, and avenge themselves through public humiliation and turning friends against each other. Such things certainly went on in my schoolyard, but the adults, for the most part, didn’t want to deal with it. Parents were off dealing with their own lives; teachers had classrooms to keep orderly, and they did not want to take sides in such squabbles. At any rate, soon enough the school year would be over, people would move on to different classrooms and even different schools, and the conflict would resolve itself.

Thinking about this makes me wonder how much the school experience has shaped not only our views of revenge, but of authority in general. For traditional Christians, Jews and Muslims, the most advanced being in the universe is one who remembers every sin and deals with it justly. For the post-Christian world, an advanced being is someone more like Klaatu, who doesn’t care what we’re fighting about so long as we don’t drag it into his space.

But when I think about it, probably the motto that best sums up how I was raised was, “Living well is the best revenge.” Americans who can expect some upward mobility in their lives tend to channel their anger into achievement, regaining their lost honor through money and status. It’s a function not just of social mobility, but physical mobility: after leaving school behind, most of us can hope to find a profession or social scene in which our talents will be appreciated, and we can earn respect. If another fight breaks out there, we can move into another field. Be defiantly happy to those who want to see you suffer.

Of course, not everybody in the world has this mobility. Heck, not everybody in America has that kind of mobility. It brings some bite to Blumenfeld’s remark that our solution to revenge is shopping. And I suspect that, in a subtler way, we don’t actually leave our old scores behind us but try to settle them in new fields. One of the most striking lines in the book so far is when a rabbi tells Blumenfeld, “The state of Israel is revenge for the Holocaust.” On one level, that doesn’t make sense: shouldn’t revenge for the Holocaust be taken against Germans? But it actually is revenge in the Western style: move to a new place, work hard, and set up a new order with yourself at the top. One wonders how much of Western history has been driven by it.

September 24, 2009

On fantasy and violence

Filed under: Arts and entertainment,Orthopraxis,Politics and society — Camassia @ 9:22 am

Marvin commented on a recent exchange about Inglourious Basterds and whether Christians should see violent movies (the original poster followed up here).

I haven’t seen Inglourious Basterds, as no one has yet produced the wild horses required to get me there, but I did comment on this general subject in 2005. I mostly stand by what I said then. The underlying question here is “What is the purpose of fantasy?” And I don’t believe that the answer is “Just for kicks.”

However, readers may notice that in a recent post I defended horror stories, as I have gained a somewhat more complex understanding of what they mean to people who love them. As I said then, fiction has an ability to enter people’s subjective realities in a way that straight reportage of facts does not. But that is a testament to how real it actually is, not “just pretend.”

It’s interesting that I had no problem with Brad’s original line that when we watch movies, we “come face to face with what our brains understandably receive as the real thing.” In the follow-up he backtracked after Adam said in the comments that only an insane person would do that. But in fact, on a base neurological level that’s quite true. The fear that we feel when watching a character in danger, our joy when they beat the bad guy, or our sadness when they die, are all the same to our brains when watching a movie as when we experience them in real life, just somewhat diluted by the intellectual knowledge that this isn’t really happening.

The question, then, should less be, “What is the effect of seeing this or that on screen?” so much as “What is the effect of feeling those feelings over and over?” The answer, of course, is going to vary a lot since people have different emotional reactions to works of art. But I do think that’s a more fruitful direction of inquiry than our current fixation on exactly how much blood is spilled or how realistic the special effects are.

There’s still clearly a big gulf between movie experience and actual experience, which is probably why ax murders of the sort Marvin points to are still rare. A fantasy murder, from the point of view of an invisible observer, is far different from being in the presence of a flesh-and-blood person who is looking back at you. But there are other kinds of experience that fantasy more strongly resembles, such as memory. It has been pretty well established by now that people often think they remember things that they actually only imagined, whether under their own power or through hearing about it from somewhere else. And this is not so strange if you think about it, because the act of imagining and the act of remembering are very similar. They are both, actually, a lot like watching a movie.

Because awareness of this memory/fantasy blur came about largely through scandal — people accusing their parents of abuse that didn’t happen, for instance — we tend to think it as a bug in the human wetwiring. But I think this also has a positive social purpose, because it is how we can have collective memories, in a sense. Passion plays are a good example of this: by re-enacting the events of the Gospels, people can experience what the disciples felt together and make it their communal story. The recurrence of Nazi villains in cinema is a more recent example of this kind of thing. Few people alive today actually remember World War II, but thanks to the jumble of factual and fictionalized retellings it is part of our collective memory.

Fantasy also resembles the imaginative acts necessary for visualizing something going on far away, or speculating about the future. In that way, it helps us know not only who we were but what we can become. This is important to understanding Star Trek fandom, I think. On the other hand, it also can lead to things like this:

Finnegan, who is a lawyer, has for a number of years taught a course on the laws of war to West Point seniors—cadets who would soon be commanders in the battlefields of Iraq and Afghanistan. He always tries, he said, to get his students to sort out not just what is legal but what is right. However, it had become increasingly hard to convince some cadets that America had to respect the rule of law and human rights, even when terrorists did not. One reason for the growing resistance, he suggested, was misperceptions spread by “24,” which was exceptionally popular with his students. As he told me, “The kids see it, and say, ‘If torture is wrong, what about “24”?’ ” He continued, “The disturbing thing is that although torture may cause Jack Bauer some angst, it is always the patriotic thing to do.”

Gary Solis, a retired law professor who designed and taught the Law of War for Commanders curriculum at West Point, told me that he had similar arguments with his students. He said that, under both U.S. and international law, “Jack Bauer is a criminal. In real life, he would be prosecuted.” Yet the motto of many of his students was identical to Jack Bauer’s: “Whatever it takes.” His students were particularly impressed by a scene in which Bauer barges into a room where a stubborn suspect is being held, shoots him in one leg, and threatens to shoot the other if he doesn’t talk. In less than ten seconds, the suspect reveals that his associates plan to assassinate the Secretary of Defense. Solis told me, “I tried to impress on them that this technique would open the wrong doors, but it was like trying to stomp out an anthill.”

The students, I am sure, know that 24 isn’t real; but then again, actually interrogating terrorists isn’t real to most people, in the sense that they haven’t actually experienced it. Very few people have, which is why discussions about it tend to be dominated by hypothetical scenarios. Which is why the types of stories we tell, fantasy or not, still matter.

September 19, 2009

Sincerism addendum

Filed under: Uncategorized — Camassia @ 11:59 am

I think I didn’t make myself clear if I sounded like I said Eve was just defending a cool pose. I was trying to address the more abstract “Is sincerism an outsider position, ever?” question I brought up at the beginning. But fortunately I’m no longer a 12-year-old dork, and I realize that there’s more to cool than being alpha dog on the playground. (I loved Paris Is Burning too!)

September 17, 2009

Sincerism revisited

Filed under: Uncategorized — Camassia @ 9:19 pm

Eve responds to my response to her manifesto against sincerism. We discussed this some off-blog, and as she said I think we agree about 75%. Toward the end of that discussion, I mentioned that I know what it feels like to be a misfit by being too sincere, and Eve said she couldn’t imagine that. So now that the subject’s come up again, I thought I’d elaborate.

When I was growing up, just about all of the traits the Eve says sincerism opposes — “irony, misdirection, self-protection, exaggeration, agent-provocateur behavior, unspoken understandings, WASPish complicity in one another’s secrets, and your mouth writing checks your ass can’t cash” — are also traits that might be called cool. As in, put on the persona, hide the vulnerabilities, play the game, get the jokes, nail the pop-culture references, pick things up without having to be told, do outrageous things, annoy the authorities, etc. For a kid who is not cool — like, say, me — this can all seem like an impenetrable puzzle. It requires a level of intuition, gamesmanship, and immersion in a culture that you might not even find especially interesting, except that to not know it can make you a target of ridicule.

This is part of what complicates “mainstream” and “fringe.” All these references and understandings and secrets are for a group, not a stranger or an isolate. If you’re by yourself in an unfamiliar culture, you appreciate it when people deal with you straight rather than expect you to know things you can’t know. Of course, it’s also impolite to demand that they translate everything without trying to pick up the language, so I take Eve’s point on that. I think my reaction may have come from associating this kind of behavior with a kind of border patrol.

Some personality types are probably more likely to feel like strangers in their own culture. When I wrote about sci-fi robots a while ago I mentioned that people with Asperger syndrome often identify with robot characters like Cmdr. Data because they, like robots, don’t pick up on the unspoken and irrational aspects of communication; they just take literally what you tell them. I suppose this underscores how genre fiction can tell things that realism can’t, although that doesn’t mean it opposes sincerism.

But I would be remiss if I didn’t admit that “cool” itself is something that started among fringe populations — the young and the black, mostly — and that teenage in-crowds exist under authorities at school and in other youth-oriented programs that are often run by sincerists. I am sure that is not true all over the country, but where I grew up, and probably where Eve did too, people attracted to working with young folks generally liked to think we can all get along if we just share our feelings. My mother, who trains teachers for a living, says getting student teachers to adopt the “mask of command” is often one of the hardest things to get student teachers to do. It goes against the grain of their personalities.

But even that needs contextualizing, I think. For one thing, it strikes me that all the examples of sincerism that Eve and I are coming up with are very female. Is this really a chick problem? I am reminded of a paper from my college sociology course (which I know I’ve mentioned here before) about the “feminization of love,” arguing that women tend to define love as sharing your feelings and secrets with others, while men define it more as doing things for others. The post-feminist struggle of women to be leaders while still being women (and not making the same mistakes as men) may lead them to adapt a more-feminine mode of relating to leadership.

The connection with feminism also points up the fact that this is really a post-’60s phenomenon. I may be wrong, but I doubt that if we were in the 1950s, Eve would be arguing that sincerism rules the country. The counterculture promoted some highly sincerist philosophies, such as romantic primitivism, nudism, and a psychotherapeutic model of relationships (which I suspect is why Eve felt an imperative to “press my fingers against other people’s bruises”, as she puts it).

Sexual liberation is also a very sincerist philosophy in its way, since it tries to put blunt communication in place of the semi-improvisational theater that courtship has normally been. I think this is what Eve was getting at when she called “safe words” essentially sincerist. But going by what my mother tells me about dating in the ’50s, this was a reaction against a form of ritual communication that was already going haywire. The thing about these shared cultural understandings is that you lose them with a sufficient cultural disruption. Courtship in the ’50s was already different from what it was a few decades earlier (you don’t see much dating in Victorian novels), and the ’60s changed the rules again. Nowadays, the safest advice is not to assume anything.

That’s why Eve’s objection to safe words, though I understand it, seems a bit backwards. Do we really want people tying each other up and flogging each other without some way to say “stop”? Do you want someone with a whip to be telling you that thinking you know your own feelings is a Heideggerian fetish? (Well, maybe some philosophy students would like that …) I think the problem here is with the situation, not the safeguard. It’s a situation of people engaging in a dangerous sex game and making things up as they go. As Lynn alluded to in her own post on this discussion, seeing sex as a game, but where nobody really agrees on the rules, leads some men to set of rules where there’s no real way for a woman to actually mean no. Standing against sincerism isn’t going to bring back a shared script.

A few other comments. Point 6a in Eve’s post, about aesthetics, has me pulled in two directions. Clothing in general is hard to defend on purely sincerist grounds; and since I am not a nudist, I’m not about to make an ethical critique of every fashion norm out there. Still, there’s something about Eve’s comment that sounds an awful lot like, “Well if it takes a little misogyny to make women dress right, then that’s what it takes!” In which case I am not on board. (Maybe at some point I should blog my conflicted reaction to the show What Not To Wear, which would probably explain this better.)

Also, I didn’t really mean to propose that journalism was inherently sincerist, so much as I was going off Eve’s example of “American newspapers’ claim to ‘objectivity.’” Although now that I look at it again, I think that was meant more as a metaphor. (Gee, I do sound like Cmdr. Data…)

September 15, 2009

Interesting links

Filed under: Miscellaneous — Camassia @ 8:33 am

Slate recently did a three-part series about terrorist Mohamed Atta’s master’s thesis in urban planning. In some ways, Atta sounds like one of the guys at the Front Porch Republic: he wanted Muslim cities to be more traditional, local and relationship-oriented, and less bent on redevelopment schemes and catering to tourists. However, instead of the “front porch” he pretty much wants the opposite: the return of the old interior-courtyard houses of the Middle East, where women could be kept safely from the prying eyes of outsiders. I remember when my dad visited Saudi Arabia back in the ’70s, he noted that houses usually looked like forbidding cinderblocks outside but would be completely different inside. At any rate, the Slate columnist notes that Atta’s lost golden age was never there anyway: these old Middle Eastern cities were never purely one culture, not since the Bronze Age anyway.

Some recent research says children of many different cultures critique their elders’ disciplinary practices, and come out sounding a lot like Western kids. This article raises a lot of questions in my mind. What about the old adult line, “When you have kids, you’ll understand?” Are our Western values closer to the innate moral sense of humanity, or a sign of eternal adolescence? Also (as a commenter noted) do these moral critiques of adults apply to other kids? Would the child in the lead anecdote give a different answer if the story were told from the victim’s point of view?

Philip Zimbardo discusses the famous Stanford Prison Experiment
. Which I haven’t actually read yet, but I put it here to remind myself.

September 6, 2009

Who ya callin’ sincerist?

Filed under: Miscellaneous — Camassia @ 11:04 am

I’ve been puzzling for a while over Eve’s sudden turn against “sincerism.” I may be feeling a tad defensive because about 90% of my blog posts could be called sincerist, and outside of that I participate in two of the most sincerist businesses out there — newspaper reporting and psychotherapy. Still, I think I understand what she means, but what I don’t understand is packaging it as an “ism” to be globally opposed. What oppressive body out there is mandating sincerism in any and all situations? It seems telling somehow that the first example she supplies is not from any social hegemon but from a fringe subculture.

I think that’s the main problem, actually: most of what she describes as alternatives to sincerism (irony, jokes, allusions, exaggeration, unspoken understandings, secret-keeping etc.) are simply the sort of things subcultures do that sail past the heads of outsiders. They’re things you either “get” or you don’t. Which is fine, but to oppose efforts to penetrate that as unacceptably “sincerist” — however leaden and clueless such efforts may sometimes be — seems to be foreclosing any real communication between groups. Whenever I try to think of examples to illustrate whether sincerism or its opposite (insincerism?) is better, the answer always seems to be “It depends.”

Eve’s comments about realism vs. genre reminded me of an essay I stumbled across on the Web a few years ago, about Stephen King’s Misery. The author, Zack Handlen, describes how the novel connected to his own childhood experience of being babysat by a mentally unstable woman. “Misery is one of the only stories I’ve read or seen that manages to bring me back to that sickly awful feeling I’d get every time I walked in Aunt Cathy’s front door, the way I became overly conscious of my heartbeat- too fast? too loud?- as I took off my shoes and set them neatly under the coat rack, always facing in, always with the laces under the tongue,” he writes.

Now, in a literal sense, there’s a huge difference between Handlen’s experience and King’s novel. King’s protagonist was imprisoned and tortured; “Aunt Cathy” only had Handlen for a few hours a day, and never physically abused him. But this is one of those things that fiction can do that reportage can’t. Reporting the facts, even if you try to arrange them narratively, is always looking at things from the outside; it can’t tell you what it’s like to actually be that little kid. The over-the-top nature of the horror genre actually, in a way, is what makes it most realistic.

On the other hand, Handlen’s essay is itself a primo example of sincerism, and it’s all the better for it. I haven’t read Misery, because personally I’m not that into Stephen King. But I appreciate the value of the novel because of the essay, and am less able now to dismiss stories like that as just thrill seeking. I don’t think the essay somehow displaces or “explains” the novel; rather, it is one reader’s description of how he participated in the novel’s larger truth.

I think Eve realizes this to some degree by acknowledging (apologetically) that her own anti-sincerist post is itself terribly sincerist. But that illustrates precisely what sincerism is good for. How else can you explain sincerism to someone who doesn’t get what it is, except sincerely? If you are not willing to indulge it at least sometimes you will end up talking to no one but yourself.

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